声音可视化-音流学艺术应用研究

声音可视化-音流学艺术应用研究(论文10000字)
摘   要
处于新媒体技术之中，音乐可视化收获了较大的发展，随后，作为其分支之一的音流学亦缓缓地走入了大众的视野之中。
声音可视化很好地融合了视与听，它以视觉为关键部分，将声音视为载体，并让大众在其中充当诉求对象，经新媒体技术等等各大传播渠道，运用画面以及影像来完成对音乐内容的说明。它可供给一类绝佳的视觉呈现技术来为解读和比照出音乐作品其形态所具的表现力、内部与外部结构而服务。
从新媒体艺术诞生至今，其创作模式总体而言皆是把视觉当作其中心并辅以听觉，运用与日俱进的技术方法以呈现“声画合一”。现如今，在科技的突飞猛进之下，科技和艺术间的融合亦愈趋普遍。声音可视化亦顺理成章地进入了大众的视野中，而在启发大众智慧的能力上，这类声像共同体亦精进不少。尽管针对音流学的研究起始于19世纪，但纵观声音可视化的整体推进历程，音流学真正为大众所熟悉并融于声音可视化的时间尚短。另外，因特网的迅猛推进亦给声音可视化的传扬敞开了方便之门。图像和声音间的融合也愈趋密切，此外它们互相融合的作品也愈发为公众所重视。
在本篇文章中，作者亦会用个人薄见就“声像合一”课题点出本人的研究以及浅显见解。

关键词 : 音流学、声音可视化、结合、克拉尼图形

ABSTRACT
In the new media technology, visual music has developed a big step, and sound science as a branch of Music Visualization inside, but also with the development direction of gradually into people's vision.
Sound visualization, refers to a kind of vision research as the core, to sound as a carrier to the public as the demands of the object, with the new media technology and other technologies as the media, through images, image interpretation of music, sound content. He can provide an intuitive visual representation for understanding, analyzing and comparing the expressive power of musical forms and the internal and external structures of music
Since the beginning of the new media art, his creative models are mainly based on the vision, the auditory sense, and by means of the rapid changing techniques". In the present era, with the rapid development of science and technology, the combination of science and technology is becoming more and more popular. Sound visualization has begun to integrate into people's lives, and the community of sounds and images has greatly enhanced their appeal to people. Sound learning although as early as nineteenth Century began to study, but in the course of development of visual voice, a voice from the laboratory to the audience in the eyes of visualization in recent years is really into the horizon of the subject. In the continuous development of the Internet but also for the dissemination of sound science provides a lot of convenience. The combination of image and sound will become more and more close, and both works will be more and more concerned.
In this paper, the author will try to own shallow view of "video in one" this proposition research and part of their point of view is not mature.

Key Words：cymatics, sound, graphics, combine,Graphical of Chladni
 
目录
摘   要    I
ABSTRACT    II
第一章 绪论    - 1 -
1.1 课题研究背景    - 1 -
1.2 历史追溯    - 1 -
1.3 课题研究的目的和意义    - 3 -
第二章 声音可视化艺术与视觉艺术的现象研究    - 3 -
2.1 声音可视化的发展    - 3 -
2.2 声音艺术中的时空结构特征    - 5 -
2.3音流学的发展    - 6 -
第三章 音流学理论研究    - 7 -
3.1 声音形成的条件    - 7 -
3.2 音流学工作原理    - 8 -
3.2.1音流学形成条件    - 8 -
3.2.2 音流学图形与频率的关系    - 9 -
3.2.3 音流学图形与不同介质之间的关系    - 15 -
第四章 音流学在艺术领域中的应用分析    - 17 -
4.1音流学研究现状    - 17 -
4.1.1 海洋学中的应用    - 17 -
4.1.2 互动艺术中的应用    - 18 -
4.1.3 声音可视化中的应用    - 18 -
4.1.4 自然学科中的应用    - 19 -
4.2 音流学应用案例分析    - 19 -
4.2.1 《Science Vs. Music》MV    - 19 -
4.2.2 VI    - 23 -
4.2.3    432赫兹    - 24 -
结 论    - 27 -
参考文献    - 28 -