《老人与海》中小男孩形象的不可或缺性

《老人与海》中小男孩形象的不可或缺性(选题审批表,任务书,开题报告,中期检查表,毕业论文7710字)
摘  要：有关海明威《老人与海》中圣地亚哥的研究很多，但关于小男孩马洛林的却并不多见，然而海明威曾自豪地说小男孩的重要性可与渔夫相媲美。本文通过分析小男孩的形象，证明他是一个充满理想和活力的男孩，他是爱的传递者，他是英雄主义的继承者。他对老人的同情、肯定、尊重和担心深深地感动和鼓舞着读者。同时他也提升了老人的形象和小说的情节。所有这些都证明小男孩形象在这部小说中是不可或缺的。
关键词：不可或缺性；马洛林；形象

Indispensability of Manolin’s Image in The Old Man and the Sea
Abstract: There are many researches on Santiago in Hemingway’s The Old Man and the Sea.while few researches refer to its little boy Mannolin. Hemingway was proud to say that the importance of the little boy can be comparable with the old man. The paper, by analyzing the little boy’s image, proves that Manolin is an ideal and energetic boy, a love carrier and a heroism inheritor. What moves and inspires the readers is Manolin’s sympathy, affirmation, respect and worry for the old man. Meanwhile, Manolin promotes the old man’s image and the plot of the novel. All of these prove that the boy’s image is indispensable in the novel.   
Key words: Indispensability; Manolin; Image

Contents
Abstract…………………………………………………………………………1
Key words………………………………………………………………………1
Introduction………………………………………………………………………2
1 Literature Review…………………………………………………..…………...…….3
1.1 About Hemingway……… …………………………..……………………………...3
1.2 About The Old Man and the Sea……………….…………………………………....4
1.3 About Manolin…………………………………………………..……………..….. .5
2 Indispensability of Manolin’s image………………………….………….....……6
2.1 The image of Manolin in The Old Man and the Sea……………….…..…………....6
2.1.1 An ideal and energetic boy…………………………….…….…………………….6
2.1.2 A love carrier…………………………………………………….………………...7
2.1.3 A heroism inheritor.………………………………………………………………..8
2. 2 Manolin’s emotion in moving and inspiring readers……………………...…...……8
2.2.1 The boy’s sympathy for the old man........................................................................9
2.2.2 The boy’s affirmation for the old man………………………………........……......9
2.2.3 The boy’s respect and worry for the old man…………………………..….……..10
2.3 The role of Mannolin in The Old Man and the Sea……………………………......10
2.3.1 Promotion of the old man’s image………..……...……………………….……...10
2.3.2 Promotion of the plot…………………………………………………….………14
Conclusion……………………………………………………………………...14    Notes………………………………………………………………………………15
Bibliography……...………………………………………………………….15
Acknowledgements………………………………………………………….16